Naïve Art for Educational Media

Media Easy Wins – Part one

In painting, “fine art” involves formal training, skillful technique, and the use of perspective, refined colour palette and subtle representations. Naive art might lack many or all of these qualities, and has been judged as “technologically primitive” by Western academia. It is also recognized as authentic, simple and honest. And it can be impactful. Consider the work of Henri Rousseau, a particularly influential naive artist.

Gypsy-dream

By Henri Rousseau – La zingara addormentata, Public Domain, Created: Dec 31 1896

What does painting have to do with educational media?

The analogy draws attention to the value of video and audio educational media created by amateurs. Many instructors I have met do not have formal training, or the resources to get formal training in creating video and audio learning objects. Help from professional media experts may be difficult to obtain. Subject matter experts are often challenged to create multiple ways to represent their knowledge to students.

In the recording industry, a fair amount of recorded creative work is not used in the final product. In education, unused video or audio recorded content may represent poor planning at best and wasted time and resources in the worst case. Time and budget-constrained educators have to be creative, competent and efficient to make the best use of opportunities to communicate their knowledge to others via video or audio recordings.

Instructors are also in a position to use multiple means of representation (the first principle of Universal Design for Learning) to convey meaning to students, and to allow the same for student assignment submission. Adopting an on-the-ground, essential approach to media production can be an effective way to encourage alternate modes of expression.

The next post in this series offers a few ideas from our recent experience to support the creation of simple, artful, and impactful recordings for educational purposes.

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